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PETER

PETER BED

designer: GREG MCKINLEY

Peter is an upholstered bed with a distinctive, contemporary design. Its high headboard with distinctive horizontal stitching adds a soft touch and accentuates its harmonious proportions.

Peter connects a simple, geometric form with the softness of upholstered surfaces. Balanced proportions and minimal detail give it a timeless character that fits naturally into contemporary bedroom interiors.

 

The most characteristic element of the project is high, upholstered headboard with horizontal stitching, which create rhythm and emphasize the softness of the shape. The headboard is available in two width variants, allowing you to adjust the proportions of the bed to the scale of the interior.

The upholstered frame and gently rounded edges create a a coherent, harmonious whole. The bed is equipped with bedding container, which provides additional storage space.

Peter is modern upholstered bed with storage, in which the expressive headboard, refined proportions and functionality create a calm, timeless form.

TYPE
Bed with bedding container

DIMENSIONS
Available under mattresses:
140 x 200 cm | 160 x 200 cm 
180 x 200 cm | 200 x 200 cm 

FRAME
The structure is made of laminated wood, padded with upholstery foam, and covered with black velvet. The frame is designed for self-assembly according to the instructions. A cover made of the selected upholstery material, attached with Velcro after the frame is assembled, conceals all structural joints. This solution ensures a perfectly refined finish and an elegant, uniform shape without visible joints.

HEADBOARD
Delivered complete, attached to the bed frame

LEGS
Oak, black

UPHOLSTERY
Fabric or leather

COUNTRY OF PRODUCTION
Poland

Technical information

Materials and finishes

13 materials

DESIGNER

Greg McKinley

A designer from Wellington, New Zealand, whose path to design led through electrical engineering, architectural visualization, and self-developed 3D modeling skills. He creates forms primarily directly in the digital space.

The nobonobo collection includes his designs: the Parfait armchair, which has won numerous awards in international competitions, the Peter bed, and the Split It modular sofa.

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Technical information

PETER 1.0

Technical dimensions [mm]
1. Total height 1025
2. Total depth 2390
3. Frame height 255
4. Leg height 25
5. Bedding container Yes
6. Total width (1400x2000) 2060
7. Total width (1600x2000) 2260
8. Total width (1800x2000) 2460
9. Total width (2000x2000) 2660
10. Mattress frame Yes
11. Mattress NO
12. Mattress depth in frame 45

PETER 2.0

Technical dimensions [mm]
1. Total height 1025
2. Total depth 2390
3. Frame height 255
4. Leg height 25
5. Bedding container Yes
6. Total width (1400x2000) 2700
7. Total width (1600x2000) 2900
8. Total width (1800x2000) 3100
9. Total width (2000x2000) 3300
10. Mattress frame Yes
11. Mattress NO
12. Mattress depth in frame 45

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GREG MCKINLEY

A designer from Wellington, New Zealand, whose path to design led through electrical engineering, architectural visualization, and self-developed 3D modeling skills. He creates forms most often directly in the digital space.

The nobonobo collection includes his designs: the Parfait armchair, which has won numerous awards in international competitions, the Peter bed, and the Split It modular sofa.

Your path to furniture design led you through electrical engineering, architectural visualization, and self-developed 3D modeling skills. How has this non-linear career path, far from traditional design schools, influenced your work?

Through my electrical engineering studies, I became familiar with 3D modeling software. My experience in modeling combined with architectural visualization gave me a unique perspective on starting the design process by creating prototypes using 3D software. Only some of my projects begin with hand-drawn sketches on paper. Architectural visualization gave me experience in combining shapes, materials, and colors in aesthetically pleasing ways.

parfait mood authors

The parfait was created directly in Marvelous Designer, which is evident in its quilting, almost confectionary, fluffy texture. How much of the final design was discovered in the tool, and how much was planned in advance?

My initial inspiration was an image of a simple, quilted piece of fabric I found online. It was this aesthetic I wanted to capture in the overall look of the quilt. I then moved to 3ds Max to create the main form of the chair. Marvelous Designer was essential for creating the feather quilting, helping me achieve the desired final result.

The Parfait armchair, the Peter bed, and the Split It modular sofa are three very different objects, yet they share a certain sensual exuberance of form. Is there a common, intuitive starting point that emerges in every project you design?

I'd say platforms like Pinterest and Google often inspire me to create new designs and images using artificial intelligence. I enjoy exploring sculptural forms, sometimes linear ones, two-dimensional drawings, materials, and upholstery details. This helps me gather ideas that I later incorporate into 3D design.

„Only some of my designs start with hand-drawn sketches on paper. Architectural visualization gave me experience in combining shapes, materials, and colors in an aesthetically pleasing way.”

Parfait received an Honorable Mention at the New York Design Awards. What do you think the jury saw in this chair? And does this interpretation align with what you had in mind when designing it?

I think the jury appreciated the unique aesthetic of the Parfait, the overall comfort, and the avant-garde character of this armchair. Perhaps they would like to encourage others with alternative educational paths to get involved in furniture design in the future? Anything is possible.

„I enjoy exploring sculptural forms, sometimes linear ones, two-dimensional drawings, materials, and upholstery details. This helps me gather ideas that I later use in 3D design.”

You design in Wellington, but the furniture is manufactured in Poland – a rather geographically distant collaboration. How does the distance from the factory, the European market, and the physical materials affect the work process?

I'm incredibly impressed with nobonobo's execution of my designs. Some elements are exactly as I imagined, while others have been refined from my original design. I'm always open to positive collaboration to create the best possible outcome for a piece of furniture. I have complete confidence in nobonobo's ability to bring my designs to life, regardless of the geographical distance between us.

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